- Tate Modern, London, United Kingdom - Indian Highway V, MAXXI Museum, Roma The host of the evening, Siddharth, making artist Bharti Kher feel comfortable ( Naina Redhu ) As initiation into a lifelong apprenticeship to art practice, she credits literature. - The Laws of Reversed Effort, Galerie Perrotin, Paris God’s Oasis’ at Hauser & Wirth Zürich. 124-125, detail illustrated in colour, p. 122). - Facing India, Kunstmuseum Wolfsburg - Wolfsburg, Germany A Selection of Works from the Pinault Collection, Palais des Arts de Dinard, France Bharti Kher has worked in a variety of media creating paintings, sculptures, installations, and text. - The Future Is Already Here – It’s Just Not Evenly Distributed, 20th Biennale of Sydney, Sydney, Australia - Art Heritage, (cat), New Delhi, India - Telling Tails, New Delhi, India - My Monster: The Human Animal Hybrid, RMIT Gallery, Melbourne, Australia - Pattern ID, Akron Art Museum, US - Impact, curated by Jim Beard Gallery, Amsterdam at CCA New Delhi, India - Inevitable undeniable necessary, Hauser & Wirth, London - Galerie F.I.A, Amsterdam, Netherlands See more ideas about art, bindi, artist. Kher uses the bindi as a means of transforming objects and surfaces, and to inflect her art with a range of meanings and connotations from various historical and contemporary periods. Saatchi Gallery London in Lille, Tri Postal, Lille It’s an unconscious gesture for the most part, and yet this little sticker, this decorative dot or squiggle, signifies so much more than mere prettiness - it inscribes each ordinary, blank forehead with the potential for enlightenment, female power, sexuality. - Open Circle Exhibition, Lakeeren art Gallery, (cat), Mumbai, India The critic Geeta Kapur characterises a specifically female aesthetic in art, which she describes as “a woman’s worldview on the material reality of things that make up the working substance of life.” Kher’s own work often plays with imagery of the hybridity of life- . Bharti Kher Lao's Mirror, (Diptych) 2012 249×188×4cm. Lives and works in Delhi, India. - Distant Nearness, The Nerman Museum of Contemporary Art at Johnson County Community College, Kansas, USA Bindi’s don’t mean anything! - Aspects of British Figurative Painting (1988-93), Milton Gallery, London, UK - The Sculpture Park, Madhavendra Palace at Nahargarh Fort, Jaipur, India 2003 - Djinns, things, places, Galerie Perrotin, Tokyo, Japan - Maximum INDIA, John Kennedy Center for the Performing Arts, Washington DC Composition: Bindi The bindi is both a material and motif at the heart of Bharti Kher’s practice. - Walker Art Center, Minneapolis MN, USA - In Her Own Language, Lawrence Wilson Art Gallery, Perth, Australia - Indian Focus, Espace Claude Berri, Paris It is a unique system of camouflage and deception engaged to resist old patriarchal regimes and to invent new hybrid worlds and hybrid creations. Through her morphed objects and animals, Kher revels in the discomfort and comedy that result from her encounters with metropolitan and small-town India. curated by Nicolas Bourriaud and Paolo Falcone, Ex Mercato Ortofrutticolo, Pescara, Italy Transforming Vision: 21st Century Art from the Pizzuti Collection, Columbus OH Sculptor, painter, and installation artist Bharti Kher explores the power of objects to evoke and inform psychological experience. Bharti Kher. The association with caste and/or the Hindu religion stems from a confusion or conflation of wearing bindis and receiving a vermilion tikka between the eyebrows at a temple. - Urban Manners. Collections et nouvelles acquisitions de l'Institut, Institut Culturel Bernard Magrez, Bordeaux, France 1988-91 - Foundation Course in Art & Design Newcastle Polytechnic, BA Honours, Fine Art, Painting 1987-88 - Middlesex Polytechnic, Cat Hill, London, UK, 2020 Kher’s works thus appear to move through time, using reference as a counterpoint and contradiction as a visual tool. 2004 By continuing to use our sites and applications, you agree to our use of cookies. - Les arts du Tout-Monde, Musée des Beaux-Arts de Montréal, Montréal, Canada Her own cultural background, as an Indian born and brought up in England but now living and working in India, ideally positions her to explore ideas of national identity. Bharti Kher creates fantastic fables populated by animals awash in a great primal wave of semen-shaped bindis, pantheons of female human-ape hybrids, and spectral hosts in dainty domestic settings gone awry. Bharti Kher Born in London in 1969, Bharti Kher’s art gives form to quotidian life and its daily rituals in a way that reassesses and transforms their meaning to yield an air of magical realism. - Khoj Residency, New Delhi, India, 2002 - Sirpur Paper Mills, Hyderabad, India - Silence Violence, A Pulse project, Durban and Niebethesda, South Africa 2000 - Pipe Dreams Workshop 2000, Kosi Kalan, UP, India - Open Circle Workshop, Mumbai, India 1997 - Khoj Artist’s Workshop, (cat), Sikribagh, Modinagar, India, 2018 - Sen Aveek | Bharti Kher: Chimera | Verlag Far Moderne Kunst 2017 - Cavalchini Pierrana | Bharti Kher - Sketchbooks and Diaries | Corraini Edizioni 2016 - Augaitis Daina, Freundl Diana | Bharti Kher - Matter | Black Dog Press 2014 - Poddar Shandhini | Misdemeanours - Bharti Kher | Rockbund Art Museum 0000 - NG Elaine W., KALIDAS Swaminathan | Bharti Kher - bind, eyes open | Perrotin. Apr 28, 2018 - Explore Jay Hudson's board "Bharti Kher", followed by 151 people on Pinterest. Of a minute of a second of a defree, Hauser & Wirth, Zurich Gagosian Gallery, New York (21st Street) Chelsea | New York | USA Mar 12,2020 - Jul 11,2020 Bharti Kher: The Unexpected Freedom of Chaos It’s so simple - a red dot on the forehead. - India: Art Now, Arken Museum of Modern Art, Denmark - An absence of assignable cause, Jack Shainman Gallery, New York, U.S.A. - Playgrounds & Toys, ART for The World, Geneva, in Delhi with Nature Morte - Nature Nation, Museum on the Seam, Jerusalem, Israel
Re-imagining Asia. Kunsthal - ROTTERDAM, Netherlands view map, The British Museum - LONDRES, United Kingdom view map, Fondation Opale - Lens, Switzerland view map, Born in 1969 in London, United Kingdom - Chalo! 2007 This was the day after schools, colleges and all public buildings were closed due to rising concerns about the spread of COVID-19. - 21st-Century Art from the Pizzuti Collection, Columbia Museum of Art, Columbia, USA - Codes of Culture, SKE Gallery, New Dehli, India Among her signature materials, she uses ready-made, colored vinyl bindis to create spectacularly vibrant paintings. “Symbolically and conceptually female and male at the same time...What happens is you are getting a contradictory visual aesthetic,” says Kher. - Chevalier dans l'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters of France) - Silence Violence, NSA Gallery, a Pulse Project, curated by Greg Streak Durban, NieBethesda and Stellenbosch, South Africa For her large scale art, she is known to work with an army of female studio assistants, most of them immigrants who have flocked to the metropolis from smaller towns and villages in India. 2006 - Go East: The Gene & Brian Sherman Contemporary Asian Art Collection, curated by Suhanya Raffel - Made By Indians, Galerie Enrico Navarra, Art on the beach, (cat), St Tropez, France - Museum Frieder Burda, Baden-Baden, Germany  - three decimal points. Kher’s creations poke fun at their own trajectory: rootless, as they traverse their in-between worlds. 2011 The artist Bharti Kher Born 1969, London, UK. - Everywhere is war, Bodhi Art Bombay, curated by Shaheen Merali, (cat.) (142 x 456.2 x 195 cm.) - MANGO, A SAWCC show for Talwar Gallery, New York, USA bharti kher’s work is part of two current exhibitions: ‘chalo! 2001 Bharti Kher: Movements is a tool designed by DHC/ART Education to encourage visitors to develop and elaborate on some key concepts of the exhibition Bharti Kher: Points de départ, points qui lient.. 2007 - Tokyo Art Meeting. - Bharti Kher : Sketchbooks and Diaries, Isabella Stewart Gardner Museum, Boston, USA - Devi Art Foundation, New Delhi, India - Sub-Plots: Laughing in the Vernacular, National Gallery of Modern Art, Mumbai, India Toronto, Art Gallery of Ontario, Hungry God, June-October 2007. - Indian Summer, Nature Morte, New Delhi - Critical Mass, Contemporary art from India, Tel Aviv Museum of Art, Israel - Present, Johyun Gallery, Busan, Korea Exhibition curator Peter Pakesch introduces ‘Mike Kelley. Bharti Kher Mimic 2005 129×128cm. - Dark Matter (MM), Museum Frieder Burda Salon Berlin, Germany  - Art On The Move, a Sahmat Project curated by Vivan Sundaram, in 5 venues in Delhi, India - Textile – Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Germany - Art foundation, New Delhi, India Systems. They just look nice. Hungry Dogs Eat Dirty Pudding (detail), 2004, An Absence Of Assignable Cause (The Heart), 2007. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. - Contemporary Art From India, Thomas Erben Gallery, New York, USA - Indian Highway, curated by Julia Peyton-Jones, Hans Ulrich Obrist, Serpentine Gallery, London, UK - Versus Rodin: Bodies across space and time, Art Gallery of South Australia, Adelaide, Australia 2003 2016 - Salon, Hauser & Wirth, Zurich, Switzerland ARKEN Prize. - Still moving Image, Devi Art Foundation, curated by Deeksha Nath at the Devi Art Foundation, Gurgaon, India (cat.) ©2021 Artnet Worldwide Corporation. - Under Construction, Tokyo Opera City Art Gallery, (cat), Tokyo and Japan Foundation, Japan - Hungry Dogs Eat Dirty Pudding, Nature Morte, New Delhi, India MoMA, The Museum of Modern Art Midtown | New York | USA Mar 01,2020 - Jul 11,2020 Donald Judd: Artwork: 1980. Bharti Kher Feather Duster 2004 76×114cm. Identity, after all, is a complicated business: the ‘I’ one carries around, that peers out from ones own eyes, that assesses, accepts, rejects and makes sense of the world, that blossoms in continuity through infancy to girlhood to adolescence and adulthood, is a being woven from multiple strands of social, historical and psychological threads. - Postcards for Gandhi, a Sahmat Exhibition in five cities in India 2010 - Vision Exchange: Perspectives from India to Canada, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada - of, based on, or obtained by (Tradition), Nature Morte, New Delhi - Don’t Shoot the Painter – UBS Art Collection, Villa Reale’s Galleria d’Arte Moderna, Milan, Italy - The Private Softness of Skin, Gallery Chemould, Mumbai, India Lives and works in New Delhi, India, . In part inspired by artists such as Hieronymus Bosch, Francisco Goya and William Blake, Bharti Kher references magical beasts, mythical monsters and allegorical tales in which they might feature in her work. - Approaching Land, Akara Art Gallery, Mumbai, India Phone +91 8510044145 +91 11 26644145. connect with us ... Bharti Kher; Bharti Kher. Her most significant trademark is the use of the traditional Indian bindi which she uses in her works of all mediums. - Comme des bêtes, (Like animals), Fine Arts Museum in Lausanne, Switzerland, curated by Bernard Fibicher 1997 Sculptor, painter, and installation artist Bharti Kher explores the power of objects … The blue sperm whale is one of the world’s largest animals. - Indian Photo and Media Art: A Jouney of Discovery, FLUSS - NÖ Initiative for Photo-and Media Art, Weinviertel, Austria 1999 Kher chooses to reside in-between. This magazine article is about one of the artworks in the exhibition titled Virus XI (2020). - The Sanskriti Award 2011 Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. - A Consummate Joy, IMMA, Dublin, Ireland - Worcester Art Museum, Worcester MA, USA - YFLO Woman Achiever of the Year - Sirpur Paper Mills, workshop Exhibition, at Art Inc, New Delhi, India - Tauba Auerbach, Matthew Day Jackson…, Galerie Emmanuel Perrotin, Paris 2010 - Royal Overseas League Open Exhibition, Overseas House London, Edinburgh College of Art, UK - Dot. - Creative Space, Sakshi Gallery, at Habitat Centre, (cat), New Delhi, India This ultimate symbol of maleness and fertility used as the ultimate mark of female beautification results in something new altogether. From Pointillism to Pixelation, Wilhelm-Hack-Museum, Germany - Dhaka Art Summit : Seismic Movements, Bangladesh  Bharti Kher Parasol Unit Foundation for Contemporary Art, London, UK 2012 The Hot Winds that Blow from the West Hauser & Wirth, New York, USA 2012 Reveal the Secrets that You Seek Savannah College for Art and Design, Savannah, USA 2012 Bharti Kher Galerie Emmanuel Perrotin, Hong Kong, HK 2011 Leave Your Smell Galerie Emmanuel Perrotin, Paris, FR Throughout her practice she has displayed an unwavering relationship with surrealism, narrative, and the nature of things. - Indian Highway, curated by Gunnar B. Kvaran, Astrup Fearnley Museum of Modern Art, Oslo, Norway 1996 JR, Sophie CALLE, Johan CRETEN, Wim DELVOYE, Bernard FRIZE, Laurent GRASSO, Hans HARTUNG, John HENDERSON, Leslie HEWITT, Gregor HILDEBRANDT, Bharti KHER, Klara KRISTALOVA, Georges MATHIEU, Paola PIVI, Gabriel RICO, Xavier VEILHAN, XU ZHEN®, Kathryn ANDREWS, Sophie CALLE, Leslie HEWITT, Bharti KHER, Alicja KWADE, B. Ingrid OLSON, Cornelia PARKER, Gala PORRAS-KIM, Tatiana TROUVE, 76 RUE DE TURENNE 75003 PARIS10 IMPASSE SAINT CLAUDE 75003 PARIS2BIS AVENUE MATIGNON 75008 PARIS, Chiho AOSHIMA, Daniel ARSHAM, Sophie CALLE, Johan CRETEN, Tracey EMIN, Daniel FIRMAN, GELITIN, Laurent GRASSO, JR, Gregor HILDEBRANDT, KAWS, Bharti KHER, Klara KRISTALOVA, MR., Guy LIMONE, Ryan MCGINLEY, Takashi MURAKAMI, Prune NOURRY, Jean-Michel OTHONIEL, Paola PIVI, Terry RICHARDSON, Germaine RICHIER, Aya TAKANO, Xavier VEILHAN, Andy WARHOL, Marina ABRAMOVIC, Valerie BELIN, Guerrilla Girls, Alex KATZ, Annette MESSAGER, Yoko ONO, Rob PRUITT, Cindy SHERMAN, Taryn SIMON, Mickalene THOMAS, Agnès THURNAUER, Tom WESSELMANN, Takashi MURAKAMI, Sophie CALLE, Johan CRETEN, Wim DELVOYE, ELMGREEN & DRAGSET, Lionel ESTEVE, Bernard FRIZE, Bharti KHER, KOLKOZ, Klara KRISTALOVA, Guy LIMONE, Jean-Michel OTHONIEL, Paola PIVI, Claude RUTAULT, Michael SAILSTORFER, Xavier VEILHAN, Takashi MURAKAMI, John ARMLEDER, Tauba AUERBACH, Hernan BAS, Matthew DAY JACKSON, Bernard FRIZE, Mark GROTJAHN, Andrew GUENTHER, Sergej JENSEN, Bharti KHER, Adam MCEWEN, Olivier MOSSET, R. H. QUAYTMAN, Claude RUTAULT, Lee UFAN, Piotr UKLANSKI, Martin WOHRL, Tatiana TROUVE, Jean-Michel OTHONIEL, Bernard FRIZE, Xavier VEILHAN, Aya TAKANO, Johan CRETEN, Bharti KHER, Piotr UKLANSKI, KOLKOZ, Klara KRISTALOVA, GELITIN, Paola PIVI, Chris VASELL, Sophie CALLE, Martin OPPEL, Chiho AOSHIMA, Peter ZIMMERMANN. 2013 - French Government residency, Paris, France - Khoj Residency Show, Khoj Studios, New Delhi, India - La Lumière des Mondes, Domaine des Etangs, Massignac, France - Misdemeanors, Rockbund Art Museum, Shanghai, China Bharti Kher And All the While the Benevolent Slept 2008 180×180×100cm. - Vision Exchange: Perspectives from India to Canada, Art Gallery of Alberta - Alberta, Canada 2013 Within Hindu cosmology, the “third eye” is just here - gods, goddesses (especially Kali) and other enlightened beings are often depicted in paintings and sculptures with the third eye opened. The bindi itself is the perfect meld of the sublime and ridiculous, as she says: “I love the way all these women all over the place put on their ‘third eye’ just to go and buy vegetables.” “The cliché of the sperm surely cannot be taken earnestly,” explains Kher. Inspired by a wide range of sources and making practices, she employs the readymade in wide arc of meaning and transformation. - Bharti Kher, Yayoi Kusama, Eva Rothschild, Mindy Shapero, Marianne Boesky Gallery, NY 2012 - Seduction by masquerade, Nature Morte, Delhi, India They may often reflexively mirror tropes from public culture or retreat into reflective self-inquiries seeking respite from the chaos of the outside world. See our Privacy Policy for more information about cookies. The bindi, which forms a central motif to much of her work, is the perfect touchstone for her: like her, it refuses to be contained by narrow definitions of culture or gender, and it enables her to simultaneously explore the mundane and the marvellous. - Virus, BALTIC Centre for Contemporary Art, Gateshead, UK - Essl Museum, Klosterneuburg, Austria - Sidewinder, curated by Gerard Hemsworth for CIMA Gallery, Kolkata, India 2002 Her work has been the subject of numerous solo exhibitions and has been included in scores of group exhibitions at museums and galleries worldwide. But there again, the modern bindi - that comes in a handy pack, with sticky backs - is not only red, and even the plain red variety are worn by girls and women of all ages whether married or not. - I See You, Savannah College of Art and Design, Savannah, USA She is a recipient of the ARKEN Art Prize (2010) and is a Chevalier of the Ordre des Arts et des Lettres of France (2015). - New Delhi – New Wave, Primo Marella Gallery, Milano, Italy (cat.) - Borderless Terrain, curated by Alka Pande, India Habitat Center, (cat), New Delhi, India Chairs, paintings, objects, and fabrics—nothing escaped her eye. Education 1988. - The Private Softness of Skin, Bose Pacia Modern, New York (cat), USA - AIFACS, New Delhi, India, 2020 Bharti Kher (b. - Mom and Pop, Walsh Gallery, Chicago, USA 2005 - Le troisième Oeil, Lille 3000, curated by Caroline Naphegyi, (cat), Lille, France Address. Like Kher, I love the idea of women putting on their ‘third eye’ in order to go down to the market. - Messengers, Grunwald Gallery of Art, Indiana University, Bloomington, USA  at Newcastle Polytechnic, United Kingdom. Find the latest shows, biography, and artworks for sale by Bharti Kher. Artists engaged with new paradigms of global and national space typically choose one of two paths. - Disturbia, utopia, house beautiful, Gallery SKE, Bangalore, India - Leeum, Samsung Museum of Art, Seoul, South Korea  - Résonance, Fondation Opale, Switzerland From Third Eye to Second Skin: Some notes on the Bindi. Kher’s practice explores issues of identity and culture through works that straddle mediums and practices and a recurring motif in her work is the bindi. The second misconception is that wearing a bindi signals that the woman wearing it is married. - Aar Paar, an exchange between five Indian and Pakistani artists, curated by Shilpa Gupta and Hema Mulji, at Kundan Pan Shop, Karachi, Pakistan Kher’s hybrid creatures are fabricated from such a dystopian repository which architect Rem Koolhaas defines as “junkspace, a domain of feigned, simulated order, a kingdom of morphing.” Junkspace is a playful and residual spatial disorder that results from the unregulated growth of cities. - Indian Summer, curated by Deepak Anand and Jany Luga, ENSBA, (cat), Paris Bharti Kher is mostly known for her colossal sculptures, but works in a variety of mediums. A Thousand Years of Separation, The New Art Gallery Walsall, Walsall, England (Travelling Exhibition) - Lille3000: The Silk Road. - Het offer/ an intimate I: droom en werkelijkheid, De Beverd Museum voor Grafische werkeljkheid, Breda - BHARTI KHER Matter, Vancouver Art Gallery, Canada An array of found objects expressed her interest in the dual concepts of the mythological and scientific, the secular and ritualistic, and the physical and psychological. - Art Gallery of New South Wales, Sydney, Australia 2000 Bharti Kher Artworks. - Vision Exchange: Perspectives from India to Canada, Mackenzie Art Gallery, Regina, Saskatchewan, Canada  - Indian Highway IV, Museé d'art contemporain de Lyon - Of Women Icons/Stars/Feasts, Eicher Gallery, (cat), New Delhi - North Carolina Museum of Art, Raleigh NC, USA, 2015 Are you experienced? Bharti Kher's work encompasses painting, sculpture and installation. - Les Artistes Indiens d’Aujourd’hui, Palais Bénédictine, Fécamp, France 2008 About The Artist. - Cutting Edge Contemporary, curated by Art Edge, NGMA Mumbai, Interiors Espana, New Delhi, India Secondly, she locates her work in-between a society, entrenched in class divisions and prescribed gender roles, that retains a strong desire to be, but has never been, ‘truly modern’ which for sociologist Bruno Latour is also ‘truly hybrid,’ a condition where distinctions between humans and nature, ecology and politics are blurred. - Kiran Nadar Museum of Art, New Delhi, India - Private/Corporate IV, Sammlung DaimlerChrysler- Lekha and Anupam Poddar Collections, Berlin, Germany - Crossing Generations: diverge, curated by Geeta Kapur and Chaitanya Sambrani for 40 years of Gallery Chemould, (cat), Mumbai, India Bharti Kher’s is an art of dislocation and transience, reflecting her own, largely itinerant life. 1990 - Public Art Exhibition, Harvard Business School, Boston, USA Address. Seeking such a blurring herself, Kher finds herself in-between the exterior, a society maladjusted to the vagaries of a global market, and the interior, a world of rituals and repressed desires. - Who’s Afraid of the Artists? - Not All Who Wanders Are Lost, Isabella Stewart Gardner Museum, Boston, USA 2014 - Chimeras, Pasquart Kunsthaus Centre d'art, Biel/Bienne, Switzerland  Foundation Course in Art and Design Newcastle Polytechnic, BA Honors, Fine Art … - Gothenburg Culture Festival Gothenburg, Sweden - Vancouver Art Gallery, Vancouver, Canada Nothing more complicated, you’d have thought, than a full stop. - Anomalies, Kukje Gallery, Seoul, Korea 168 x 308 x 150 cm. - Points de départ, points qui lient, DHC/ART Foundation for Contemporary Art, Montreal, Canada 2014 - Do not meddle in the affairs of dragons, because you are crunchy and taste good with ketchup, Gallery 88 and Ske Gallery, Mumbai, India by William Sutcliffe making a bright sunflower of a western backpacker’s bare bellybutton. - Bind the Dream State to your Waking Life, Galerie Nature Morte, New Delhi, India Contemporary Artists from India, curated by Adelina von Furstenberg at Hangar Bicocca in collaboration with ART for the World Europa, Milan, Italy For Kher, morphing is a survival technique. There are two common misconceptions about the bindi. - Long Happy Hours Thereby Happiness & Other Stories, Gallery Chemould at The Museum Gallery, Mumbai, India - India - Guest in the Giant, RAIN.bow.PEARLS, organized by Swarovski at the Kristallwelten Rebirth and apocalypse in contemporary art’, Kiev, Ukraine And it’s not just India either. 2002 Acquire this print on its own, or collect the entire suite, which includes editions by six artists featured in the book—Cecily Brown, Lubaina Himid, Bharti Kher, Catherine Opie, Jenny Saville, and Dana Schutz—who have worked closely with Artspace, Phaidon, and Kering to contribute works exclusively for the Great Women Artists portfolio. - We are Ours: A Collection of Manifestos for the Instant, Khoj International Artists’ Association, New Delhi, India Unstable Signs, Yale University School of Art, New Haven CT
Narratives from India in the 21st century: Between Memory and History, Madrid / Casa Asia, Barcelona, Spain - Kitch kitch Hota Hai, curated by Madhu Jain for Gallery Espace, India Habitat Center, (cat), New Delhi, India - GLUE, curated by Peter Nagy at Sumukha Gallery, Bangalore, India Although these are both misconceptions, they hold the seeds of some truth - they are wrong in interesting ways. - Vanitas Vanitatum, curated by Peter Nagy for Sakshi Gallery, Mumbai, India - Edge of The Century, curated by Amit Mukopadya, British Council, (cat), New Delhi, India Again: wrong, but not entirely. 2004 - The Tree from the Seed: Contemporary art from India, curated by Gavin Jantjes, Henie Onstad Kunstsenter, (Cat), Norway With the wit and irreverence of a prankster and a mad scientist, she brings a camp sensibility to her fables which unfold against the backdrop of a technological and ecological dystopia where machines, humans, animals, and nature are out of joint. - Sing to them that will listen Galerie Emmanuel Perrotin, Paris Ancient Knowledge in Contemporary Art, Kunstmuseum Luzern,Lucerne 1995 - Sorry For The Inconvenience, curated by Gridthya Gaeweewong for Japan Foundation, at Project 304, Bangkok, Thailand and Tokyo Opera City Art Gallery Tokyo (Cat) The bindi, or tikka, is the symbol par excellence of Indian femininity. Load More. - Ishara Art Foundation, Dubai, United Arab Emirates 2007 - Chalo! 2000 - Marvellous Reality, Lalit Kala Academy, New Delhi, India
Shifting Shapes. It makes perfect sense for Bharti Kher’s work to be included in this exhibition, entitled Like Life: Sculpture, Color, and the Body. Try one today!” exhorts a fashion website. - The Unexpected Freedom of Chaos, Galerie Perrotin, New York  India: A New Era of Indian Art, Essl Museum, Vienna, Austria In Buddhism the white elephant is associated with wisdom and with royalty and features in processions and ceremonies across South and South-East Asia. Transformation, Museum of Contemporary Art, Tokyo, Japan It’s a mix’n’match symbol, shaken loose of its cultural moorings and flying its colours high and bright. 1995 - This Breathing House, Freud Museum, London - 6th Bharat Bhawan Biennal of Contemporary Indian Arts, Bhopal, India - Quartiers d'été, Collection de l'Institut Culturel Bernard Magrez, villa les Roches Brunes, Dinard, France “It’s both the symbol of the beginning and the life force, transformation and healing,” she says. 1969) The Skin Speaks A Language Not Its Own bindis on fibreglass 55 7/8 x 180 x 76¾ in. Bharti Kher’s oeuvre spans more than two decades and includes paintings, sculptures and installations. - Fond illusions, Perrotin, New York, USA - Festival der Tiere, Essl Museum, Klosterneuburg, Austria Ojas Art 1A, Qutab Minar, Mehrauli Road, New Delhi-110030 INDIA. - Leave your smell, Galerie Emmanuel Perrotin, Paris Load More. New York, Jack Shainman Gallery, Bharti Kher- An Absence of Assignable Caused, November-December 2007 (illustrated in colour, pp. 2009 It consists […] - Boxwallahs, Art in a Public Space with De Ego, a collaborative work with Subodh Gupta at Sahay Filling Station, Gurgaon/ Mehrauli Road, N.H.8, India - Bronze Age c.3500 BC - AD 2018, Firstsite, Colchester, England 2017 - Passage to India, Frank Cohen Collection at Initial Access Wolverhampton, UK Kher brings a fresh display of a widely heterogenous practice to New York after a gap of 8 years. Like many other artists, Bharti Kher reflects a modern, indeed post-modern sensibility - a world where concepts like “authenticity” rarely come without quote marks, and where “globalization” has rendered national borders highly permeable to products, ideas, and even images. - Like Life: Sculpture, Color, and the Body (1300-Now), The Metropolitan Museum of Art, New York, USA India: A New Era of Indian Art, The National Museum of Contemporary Art Museum, Seoul, Korea This work is one … 1993 Style and technique of the artist: Sculpture Objects, Installation art, Bharti Kherartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles. - International exhibition of sculptures and installations, organised by Arte Communications and the Department of culture of the Venice City Council. 2019 - Expenditure, the Busan Biennale, directed by Kim, Won-Bang at The Busan Museum of Modern Art, Korea - Inside outside, Nature Morte, New Delhi, India - Susan Hefuna, Bharti Kher, Fred Tomaselli: Between the Worlds, Kunstmuseum Thun, Switzerland - Whorled Explorations, Kochi-Muziris Biennale, Kochi, India - Icons of The Millenium, curated by Lakeeren Art Gallery, Nehru Centre, (Cat), Mumbai, India Bharti Kher Lady with an Ermine 2012 230×60×60cm. - Art & Textiles – Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Wolfsburg, Germany Throughout her career Kher has kept some repeating patterns in her paintings from her student years from the late 1980s to … Now living in New Delhi, India, her use of found objects is informed by her own position as an artist located between geographic and social milieus. - Vision Exchange: Perspectives from India to Canada, University of Toronto Art Centre, Toronto, Canada - An absence of assignable cause, Nature Morte, New Delhi, India 1991 Kher's primary material is manufactured versions of traditional Indian bindi. - Pattern ID , Akron Art Museum, One South high Akron Ohio, US - Bad Taste, Apparao Gallery, at The Apeejay New Media Centre, New Delhi, India 2018 - The British Museum, London, United Kingdom Inspired by a wide range of sources and making practices, she employs the readymade in wide arc of meaning and transformation. - Desire in Art, from the 20th Century to the Digital Age, IMMA, Dublin, Ireland Now living in New Delhi, India, her use of found objects is informed by her own position as an artist located between geographic and social milieus. - Guggenheim, Abu Dhabi, United Arab Emirates The one does not cancel the other out, but the two combine to make a third idea, or thing, which shimmers with the luminescence of both. - Girl - curated by Pharrel Williams, Galerie Perrotin, Paris ) the Skin Speaks a Language Not its own bindis on fibreglass 55 x... By continuing to use our sites and applications, you ’ ll find thousands of different,... And includes paintings, objects, and sizes is both a material and motif at the heart of Bharti uses! - Indian Highway, Herning Kunstmuseum, Denmark - Signs of life spent month... Ultimate symbol of the world ’ s work is part of two current exhibitions ‘... That Only 2004 233×218×10cm a central motif in her works of all mediums material is manufactured versions of Indian! And South-East Asia and fabrics—nothing escaped her eye November-December 2007 ( illustrated in colour, pp d... Of maleness and fertility used as the ultimate mark of female beautification results in something New altogether on. The artworks in the Museum galleries looking and flying its colours high and bright news on cover. S 125 artworks on artnet as they traverse their in-between worlds uses stick-on bindis as a central in... Current exhibitions: ‘ chalo she draws on her own dual identity as an Indian with a background. Other, completely valid, take on all this is - don ’ t be silly gender nationality! Exhibitions, original artworks for sale, the latest news, and the human body draws on own! Eye ’ in order to go down to the market, Vienna, Austria - chalo x x... With marriage, with femininity, and sold auction prices references that at. Exhibitions at museums and galleries worldwide an Absence of Assignable Caused, November-December 2007 illustrated. Second misconception is that wearing a bindi signals that the woman wearing it is married,. On artnet, bindi, or tikka, is the use of the traditional Indian bindi which uses. Her signature materials, she draws on her own dual identity as an Indian with a background..., Art Gallery of Ontario, Hungry God, June-October 2007 more complicated, ’! Across South and South-East Asia whale is one of two paths events, trends, and yet there few! The readymade in wide arc of meaning and transformation Kher revels in the galleries... Highway, Herning Kunstmuseum, Denmark - Signs of life take on all this is - don t! To evoke and inform psychological experience at their own trajectory: rootless, they... Today! ” exhorts a fashion website, Vienna, Austria - chalo Shainman Gallery, Kher-! Not its own bindis on fibreglass 55 7/8 x 180 x 76¾ in applications, you ’ ll find of!, Art Gallery of Ontario, Hungry God, June-October 2007 I love idea! London, UK symbol par excellence of Indian femininity tikka, is the of. And all the While the Benevolent Slept 2008 180×180×100cm escaped her eye has. The heart of Bharti Kher showed here last s largest animals truth - they are wrong in ways. Open at IMMA on Friday 13 March 2020 counterpoint and contradiction as a and. And making practices, she uses ready-made, colored vinyl bindis to create spectacularly vibrant.! Itinerant life with royalty and features in processions and ceremonies across South South-East..., ( Diptych ) 2012 249×188×4cm widows should Not wear red our daily newsletter bindi which uses. Wearing it is a contemporary British-Indian artist who works with painting, sculpture and installation excellence of Art. Chimeras, mythical monsters, and the nature of things Kher revels in the exhibition combines over 120 covering!