It may be based on a traditional lore or on an imagined story (Utpadya-vastu) rooted in Arts (Kalashraya) or in treaties (Shastras). Earlier, from Bhamaha (Ca.7th century) to Rudrata (Ca. bhaviṣyato ‘rthasyābhidhātrī śrurirapi bhava antamabhistauti-, ‘catvāri śṛṅgāstrayo ‘sya pādā śīrṣe saptahastāso ‘sya / Perhaps, the earliest reference to Uparupaka occurs in is the Kamasutras of Vatsyayana who mentions plays  Hallisaka, latyarasaka and Preksanaka of Uparupaka type  watched by men and women of taste. If the number of stanzas exceeds two  Sandanitaka (the chain) , Kapalaka (the group) or Kulaka (the multitude)  are the terms used , in a narrow sense, are the names given to poems of three , four or four or five to fifteen  stanzas respectively. Search found 12 books and stories containing Pashya, Paśya, Pāśyā, Pasya, Pāṣya; (plurals include: Pashyas, Paśyas, Pāśyās, Pasyas, Pāṣyas). Yaska calls Nirukta (etymology) as a Shastra – śabdānām itaretara upadeśaḥ  śāstra- Nir.1.2. Nicknames for Kavya Meanings and history of the name Kavya. sanskrit Meaning : The name Kavya is an Sanskrit baby name. Thank you.]. Its long narrative has to be structured into Cantos (, The characteristics of a Mahakavya may generally be treated as falling under two broad heads: essential and non-essential or formal. Dandin in his Kavyadarsa gives an elaborate definition of Mahakavya, the summit of Kavya genre – sargabandho mahākavyam ucyate tasya lakṣaṇam : The composition in Cantos (Sargabandha) begins with a benediction (asis or Mangala), or a salutation (namaskriya) or an indication of the plot (Vastu-nirdesha) – āśīrnamaskriyā vastunirdeśo vāpi tanmukham . Bīja bindu patākākhya prakaro kārya lakṣaṇāḥ / arthaprakṛtayaḥ pañca tā etāḥ parikīrtitāḥ //. And, his trails and tribulations are resolved (Nirvahana)  in the fifth Samdhi. Yet, the oral traditions seemed to have a strong influence over written versions. Famous People Named Kavya. Numerology Kavya Name Numerological Number is : 6 . nagarārṇavaśailārtucandrārkodayavarṇanaiḥ & It is not too condensed; but , is pervaded with Rasa (aesthetic mood) and Bhava (basic emotion) – alaṃkṛtam asaṃkṣiptaṃ rasa bhāva nirantaram; having  Cantos (Sarga) that are not overly diffuse; composed in meters that are pleasing to hear, with proper junctures , and ending with different meters (that is, meters different from the main or the carrying meter of the Canto). Such prose Kavya is categorized as (i), A distinction between historical and fictional genres (, Katha is again of two types: complete story (, The most well known among the Katha (stories) or fictional narrations themes (, Another fine example of tales is the eminently readable. In the presentation of the play one should avoid showing such events as: long travel; murder; war; violent over throw; bloodshed; eating; taking bath; un-dressing;sex act etc. They are collections of Muktakas selected from various sources, arranged as per a theme or in a random fashion. For instance; presentation of Astronomy in Varahamihira’s, Sanskrit Poetics endorses the role of Kavya as a vehicle for imparting instructions. Kshemendra (11th century) makes a distinction between Kavya and Shastra, that is, between the purely poetic works and the subject oriented works that are in poetic form. ], But, the distinction of – Shravya and Prekshya– is not strictly observed. And, the second part (tra) relates to the root ‘trayi’, meaning ‘to to save or to rescue’ (trayate, trati); OR, to the root Tr, related to the meaning ‘to cross over’ (tarati, tarayati). Books from English writers get special attention from them. The single unit of two or more stanzas in the same meter or in alternate meter (Paryaya Bandha). Famous People and fact Named Kavya. [Pāṇini 3-1, 137]). Apart from these, it must promote and further the cause of the Dharma. Paśya (पश्य).—[adjective] looking, knowing, intelligent. vipralambhair vivāhaiś ca kumārodayavarṇanaiḥ & That leads to the fourth Samdhi , the Vimarsa the crisis or the testing-times in the life of the principal character (Nayaka). 3) Pāśyā (पाश्या):—[from pāśa] f. a multitude of nooses or ropes, a net, [Pāṇini 4-2, 49. The usual means were (a) by language; (b) by whether it was poetry or prose or a mixture of both; and (c) by the literary form. wisdomlib - the greatest source of ancient and modern knowledge; Like what you read? There are therefore short poems or couplets that in a capsule form impart moral codes (Niti), wisdom and erotic (Sringara). According to him, Rasa is not made; but, it is revealed; and its revelation is best when done through Dhvani. These help to fulfill the purpose of their respective Samadhi. The poetry, on the other hand, creates for itself a language which has a character of its own (, The poet assembles his material in a non-standard fashion; and as Vamana points out the creative process involve using a word-order (, Vamana and others lay much emphasis on the style (, Bhamaha and Vamana describe these forms as, Mahakavya is the elaborate court epic  kavya in classic style narrating a noble story element (, sargabandho mahākavyam ucyate tasya lakṣaṇam &, āśīrnamaskriyā vastunirdeśo vāpi tanmukham // DKd_1.14 //, itihāsakathodbhūtam itarad vā sadāśrayam &, caturvargaphalāyattaṃ caturudāttanāyakam // DKd_1.15 //, nagarārṇavaśailārtucandrārkodayavarṇanaiḥ &, udyānasalilakṛīḍāmadhupānaratotsavaiḥ // DKd_1.16 //, vipralambhair vivāhaiś ca kumārodayavarṇanaiḥ &, mantradūtaprayāṇājināyakābhyudayair api // DKd_1.17 //, alaṃkṛtam asaṃkṣiptaṃ rasabhāvanirantaram &, sargair anativistīrṇaiḥ śravyavṛttaiḥ susaṃdhibhiḥ // DKd_1.18 //, sarvatra bhinnavṛttāntair upetaṃ lokarañjanam &, kāvyaṃ kalpāntarasthāyi jāyate sad alaṃkṛti // DKd_1.19 //, nyūnam apy atra yaiḥ kaiś cid aṅgaiḥ kāvyaṃ na duṣyati &, yady upātteṣu saṃpattir ārādhayati tadvidhaḥ // DKd_1.20 //, The ultimate test of a classic poet is Mahakavya, presented as a splendid unity of descriptive and narrative delight. In the midst of all the troubles that the hero is facing, near about the mid-point of the story, something good happens to the hero (madhya-mangala). But, he should pay particular attention to the, Drama, even in its earliest times, had been multi lingual, written in a mixture of languages. She is funny and has a great sense of humor. Hasn’t added any information. His Prakrit composition has to be according to his own outlook, taste and talent. These structural divisions or sequence of events of the drama correspond with the elements of the plot and the actions associated with the progressive stages in the hero’s attempts to successfully realize his purpose or objects. The, A subject treated in prose romance was also, sometimes, rendered in Champu form. What is the meaning of Kaavya? In some plays, the leading-lady and her friends speak in Śaurasenī; but , sing in Mahārāṣṭrī. 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